http://www.womenartistsbooks.com/upcoming daily 0.75 2024-04-08 http://www.womenartistsbooks.com/upcoming/2021/4/17/mothers-of-invention-the-feminist-roots-of-contemporary-art monthly 0.5 2024-04-05 http://www.womenartistsbooks.com/upcoming/2019/10/17/against-the-canon-art-feminisms-and-activisms-xviii-to-xxi-centuries monthly 0.5 2024-04-05 http://www.womenartistsbooks.com/upcoming/2015/2/11/panel-discussion-at-riverside-library monthly 0.5 2024-04-05 http://www.womenartistsbooks.com/upcoming/2014/7/30/anderson-ranch-panel-discussion monthly 0.5 2024-04-05 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1399700040831-A3XQ8RYQ8NH7EHPKLEDG/image-asset.jpeg Upcoming - Anderson Ranch http://www.womenartistsbooks.com/upcoming/2014/2/13/neuberger-panel-discussion-need-info monthly 0.5 2024-04-05 http://www.womenartistsbooks.com/upcoming/2014/3/30/ruth-beesch-honorary-lecture monthly 0.5 2024-04-05 http://www.womenartistsbooks.com/choice daily 0.75 2024-04-13 http://www.womenartistsbooks.com/womans-art-journal daily 0.75 2024-04-13 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1399150729400-PBM6Y708BIO9QRWNB0OH/276483-Ever-Is-Over-All-1997-aud_1+copy.jpg Woman's Art Journal Fig. 1. Pipilotti Rist, Ever is Over All (still, detail) (1997), video installation with sound. Courtesy of the artist, Luhring Augustie, New York, and Hauser & Wirth. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1399150729400-PBM6Y708BIO9QRWNB0OH/276483-Ever-Is-Over-All-1997-aud_1+copy.jpg http://www.womenartistsbooks.com/hyperallergic daily 0.75 2024-04-13 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1391931310039-M9DXBZFWY47QRRD7EMCN/hyperallergic+pic.jpg Hyperallergic photo by the author for Hyperallergic https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1391931310039-M9DXBZFWY47QRRD7EMCN/hyperallergic+pic.jpg http://www.womenartistsbooks.com/about daily 0.75 2014-02-13 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1393015812980-UVME8S0TZ7VHQ4OU9QPK/After-the-Rev---high-res-cover500px-w-72dpi.jpg About https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1393015812980-UVME8S0TZ7VHQ4OU9QPK/After-the-Rev---high-res-cover500px-w-72dpi.jpg About http://www.womenartistsbooks.com/flavorwire daily 0.75 2024-04-13 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392925739452-UNYQT37R2CW87VPK59V5/47.jpg Flavorwire Catherine Opie, "Jake" (1991) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926466897-2MGUTGZ4GFZFJTKGQABC/rist.jpg Flavorwire Detail from Pipilotti Rist, “Ever is Over All” (1997) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392927269335-X5W81VBUUAXNBZ3C67AJ/bartana.jpg Flavorwire https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926280613-C7N2ZP0PG29MUCEVLO2S/antoni.jpg Flavorwire Janine Antoni, “Lick and Lather,” 1992 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926528871-K52S4DNX6JPQREEQTOXX/cao_fei-un-cosplayers.jpg Flavorwire Cao Fei, “UN-Cosplayers” (2006) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926653563-K8KXL9Q0UK7HY44FDLBE/58c14907.jpg Flavorwire Justine Kurland, “Waterfall, Mama Babies” (2006) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392420416181-XDNMMP1TH5OJAAG7Z4YJ/tracey-emin-everyone-i-have-ever-slept-with-1963-1995.jpg Flavorwire Tracey Emin, "Everyone I Have Ever Slept With 1963-1995" (1995) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392927031475-IQ0D4QNJGCZT7SWXZVPT/gilmore.jpg Flavorwire Kate Gilmore, “Love ‘em, Leave ‘em” (2013) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926365997-KZYM9R1XKCKEYAMNE5G2/sweetie-brown.jpg Flavorwire Cecily Brown, “Sweetie,” 2001. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926569972-LU3F867KILLJNC6C9DPN/yuskavage-small-morning.jpg Flavorwire Lisa Yuskavage, “Small Morning” (2005) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926425854-XUOAOQM1DGUDAZVGUGQP/julie-4-0.jpg Flavorwire Julie Mehretu, “Stadia I” 2004. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926744386-QB58J5N2HTWTL5FGNX5K/kitchen2_w.jpg Flavorwire Liza Lou, “Kitchen” (1991-1996) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392927550135-1JMB9RN2GKV2KC8POIJ8/margolles.jpg Flavorwire Teresa Margolles, “Muro Ciudad Juárez,” (2009) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926811717-MTPRY270NGMY7EZJJZIV/mutu001.jpg Flavorwire https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392927428678-5I1DLTJH2L6Z2B66CDLL/bruguera.jpg Flavorwire Tania Bruguera, “Untitled (Havana)” (2000) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392927368594-N9HTLGGFOJUEMF0U621L/hayes.jpg Flavorwire Detail from Sharon Hayes, “In the Near Future” (2009) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392925825645-8CDQQJK4VKJGFU5W056O/amer1.jpg Flavorwire Ghada Amer, “Le champ de marguerites,” 2011) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926694324-M7NJUEI780HIEOLAGHQQ/walker.gif Flavorwire https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926849636-UF1XOZNM3LYNJF5PG5RC/zittel.jpg Flavorwire Andrea Zittel, “Rough Furniture” (1998) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392927595257-9PLYX9PFXGBPALGS2OG4/liden.png Flavorwire https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392925739452-UNYQT37R2CW87VPK59V5/47.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392420416181-XDNMMP1TH5OJAAG7Z4YJ/tracey-emin-everyone-i-have-ever-slept-with-1963-1995.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392925825645-8CDQQJK4VKJGFU5W056O/amer1.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392926425854-XUOAOQM1DGUDAZVGUGQP/julie-4-0.jpg 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2024-04-07 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392315141708-A7UMBKTPEG7DQY36NY9S/Washington+Photo.jpg About the Authors From Left: Nancy Princenthal, Sue Scott, Eleanor Heartney and Helaine Posner https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392315141708-A7UMBKTPEG7DQY36NY9S/Washington+Photo.jpg About the Authors From Left: Nancy Princenthal, Sue Scott, Eleanor Heartney and Helaine Posner http://www.womenartistsbooks.com/book daily 0.75 2023-10-04 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1393015812980-UVME8S0TZ7VHQ4OU9QPK/After-the-Rev---high-res-cover500px-w-72dpi.jpg Book Now available in a revised and fully updated edition, this book examines the rise of women artists in the late 20th century, viewed through the work of 12 key figures. “Why have there been no great women artists?” asked the prominent art historian Linda Nochlin in an intentionally provocative 1971 essay. In this book, four prominent critics and curators describe the strides made by women artists since the advent of the feminist movement and assess the changes that have occurred in their critical reception, commercial appeal, and institutional support. Following a comprehensive essay that looks back at the recent history of women artists, the authors examine the careers of an international selection of artists—Marina Abramovic', Louise Bourgeois, Ellen Gallagher, Ann Hamilton, Jenny Holzer, Elizabeth Murray, Shirin Neshat, Judy Pfaff, Dana Schutz, Cindy Sherman, Kiki Smith, and Nancy Spero—considering each figure's accomplishments and her influence on contemporaries and younger artists. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/29b87159-94a6-47cc-8ae8-851b63e34d57/IMG_7327.jpeg Book - Make it stand out Mothers of Invention articulates the links that bind feminist ideas to the evolution of contemporary art. This is a project that allowed each of us to delve into ideas that have been central to our thinking for over forty years. Digging deep into four crucial practices, we were able to illuminate how the feminist revolution also sparked an artistic one. We uncovered evidence of the ways that feminist ideas like mutualism, impurity, corporality and return to the handmade shook up a calcifying art establishment and provided the nourishment for new ideas and approaches to art. And we were able to trace the continuing influence of these ideas on artists today. Our title and the organization of this book highlight the contributions of women artists to this transformative process. We began to think about the importance of certain pioneering women in laying the groundwork for current conceptions of performance, craft, abstraction and ecofeminism. These figures are indeed Mothers. The possibilities they gave birth to have gone on to shape today’s art world. We pay homage to their nurturing influences by opening each chapter with a photograph of a key figure in each of our narratives. These historical images serve as a link between the feminist revolution and the art of today. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1393016526910-R27D4QE91NFKEYU9KEBE/576wide.jpg Book https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1541022840214-OQBZP3V8B4XFM6RPSCAW/IMG_1953.JPG Book https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1541022873079-3G4IDOB116F5WAROYGQL/IMG_1961.JPG Book https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1393015812980-UVME8S0TZ7VHQ4OU9QPK/After-the-Rev---high-res-cover500px-w-72dpi.jpg Book Now available in a revised and fully updated edition, this book examines the rise of women artists in the late 20th century, viewed through the work of 12 key figures. “Why have there been no great women artists?” asked the prominent art historian Linda Nochlin in an intentionally provocative 1971 essay. In this book, four prominent critics and curators describe the strides made by women artists since the advent of the feminist movement and assess the changes that have occurred in their critical reception, commercial appeal, and institutional support. Following a comprehensive essay that looks back at the recent history of women artists, the authors examine the careers of an international selection of artists—Marina Abramovic', Louise Bourgeois, Ellen Gallagher, Ann Hamilton, Jenny Holzer, Elizabeth Murray, Shirin Neshat, Judy Pfaff, Dana Schutz, Cindy Sherman, Kiki Smith, and Nancy Spero—considering each figure's accomplishments and her influence on contemporaries and younger artists. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1541022873079-3G4IDOB116F5WAROYGQL/IMG_1961.JPG Book https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1393016526910-R27D4QE91NFKEYU9KEBE/576wide.jpg Book https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1541022840214-OQBZP3V8B4XFM6RPSCAW/IMG_1953.JPG Book https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/29b87159-94a6-47cc-8ae8-851b63e34d57/IMG_7327.jpeg Book - Make it stand out Mothers of Invention articulates the links that bind feminist ideas to the evolution of contemporary art. This is a project that allowed each of us to delve into ideas that have been central to our thinking for over forty years. Digging deep into four crucial practices, we were able to illuminate how the feminist revolution also sparked an artistic one. We uncovered evidence of the ways that feminist ideas like mutualism, impurity, corporality and return to the handmade shook up a calcifying art establishment and provided the nourishment for new ideas and approaches to art. And we were able to trace the continuing influence of these ideas on artists today. Our title and the organization of this book highlight the contributions of women artists to this transformative process. We began to think about the importance of certain pioneering women in laying the groundwork for current conceptions of performance, craft, abstraction and ecofeminism. These figures are indeed Mothers. The possibilities they gave birth to have gone on to shape today’s art world. We pay homage to their nurturing influences by opening each chapter with a photograph of a key figure in each of our narratives. These historical images serve as a link between the feminist revolution and the art of today. http://www.womenartistsbooks.com/the-brooklyn-rail daily 0.75 2024-04-13 http://www.womenartistsbooks.com/huffington-post daily 0.75 2024-04-13 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392185795490-GTHD9EWICGD47PYESJ14/o-ROTTENBERG-900.jpg Huffington Post Mika Rottenberg, Still from Cheese, 2007. Courtesy of Andrea Rosen Gallery, New York, and Nicole Klagsburn Gallery, New York. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186048148-TJQ89PJK91HLUWDD31MV/o-BARTANA-900.jpg Huffington Post Yael Bartana, Trembling Time, 2001. Courtesy of Annet Gelink Gallery, Amsterdam, and Sommer Contemporary Art, Tel Aviv. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186204300-D2KYNTKREXLLPSKRC1K0/o-GILMORE-900.jpg Huffington Post Kate Gilmore, Standing Here, 2010. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392185621929-8YDDKQOVUCIRUWODJVGT/o-DJUR-900.jpg Huffington Post Exhibition view of The Parade: Nathalie Djurberg with Music by Hans Berg, New Museum, New York, 2012. Courtesy of Zach Feuer Gallery, New York, and Giò Marconi Milan. Photo by Benoit Pailley. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186416721-YUSRAV2WQB8957I61ZZL/o-SHIRIN-NESHAT-900.jpg Huffington Post Shirin Neshat (Photo by Selin Alemdar/Getty Images) https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1391935078039-XPLPIW0C0LQZLIVLIQXB/o-MUTU-900.jpg Huffington Post Wangechi Mutu, This you call civilization?, 2008. Courtesy of the artist and Susanne Vielmetter Los Angeles Projects https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186337438-NLN6NT57TPGR2V3XDCVV/o-BRUG-900.jpg Huffington Post Tania Bruguera, The Burden of Guilt, 1997–99. Image courtesy of Museo de Bellas Artes, Caracas. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392185976018-M9SAADVKG31474SCSG6R/o-HAYES-900.jpg Huffington Post Sharon Hayes, In the Near Future, 2009. Courtesy of the artist and Tanya Leighton Gallery, Berlin. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186261858-O6AFYSFI8C9QSZYPN6XE/o-LIDEN-900.jpg Huffington Post Klara Liden, S.A.D., 2012. Photo by Farzad Owrang, courtesy of Reena Spaulings Fine Art, New York. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186143353-P512SJKULP71YZ0DRBYS/o-CAO-900.jpg Huffington Post Cao Fei, RMB City 4, 2007. Courtesy of the artist, Lombard Freid Gallery, New York, and Vitamin Creative Space, Guangzhou. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392185898908-NRC9E1O31RZOA29GUNED/o-KOZYRA-900.jpg Huffington Post Katarzyna Kozyra, Cheerleader, 2006. Production photograph by Marcin Oliva Soto. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186416721-YUSRAV2WQB8957I61ZZL/o-SHIRIN-NESHAT-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1391935078039-XPLPIW0C0LQZLIVLIQXB/o-MUTU-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392185621929-8YDDKQOVUCIRUWODJVGT/o-DJUR-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186048148-TJQ89PJK91HLUWDD31MV/o-BARTANA-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392185898908-NRC9E1O31RZOA29GUNED/o-KOZYRA-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392185795490-GTHD9EWICGD47PYESJ14/o-ROTTENBERG-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392185976018-M9SAADVKG31474SCSG6R/o-HAYES-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186204300-D2KYNTKREXLLPSKRC1K0/o-GILMORE-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186261858-O6AFYSFI8C9QSZYPN6XE/o-LIDEN-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186337438-NLN6NT57TPGR2V3XDCVV/o-BRUG-900.jpg https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392186143353-P512SJKULP71YZ0DRBYS/o-CAO-900.jpg http://www.womenartistsbooks.com/buy daily 0.75 2023-09-29 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392322654785-PRGO9UQ4VDGNX9U4OQK7/988361_584717891581861_574684788_n.jpg BUY Kate Gilmore performance, courtesy of the artist. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392322654785-PRGO9UQ4VDGNX9U4OQK7/988361_584717891581861_574684788_n.jpg BUY Kate Gilmore performance, courtesy of the artist. http://www.womenartistsbooks.com/time-out-london daily 0.75 2024-04-13 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1391932202283-FALA46U5Z8FA96SY364H/Mika+Rottenberg.jpg Time Out London Mika Rottenberg, still from 'Cheese' 2007, © the artist https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1391932202283-FALA46U5Z8FA96SY364H/Mika+Rottenberg.jpg http://www.womenartistsbooks.com/past daily 0.75 2018-10-31 http://www.womenartistsbooks.com/storyacious daily 0.75 2024-04-13 http://www.womenartistsbooks.com/mutualart daily 0.75 2024-04-13 https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392933344273-QHL6MCM31DNVG4RA60IF/a0b39146-1558-4b3e-b0b4-d1606c2a1c12_273.jpg MutualArt Mika Rottenberg, Still from Cheese, 2007. Courtesy of Andrea Rosen Gallery, New York, and Nicole Klagsburn Gallery, New York. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392933669571-QCVG4H2NB4CD5BTMVWZI/2.jpg MutualArt Nathalie Djurberg and Hans Berg, Tiger Licking Girl's Butt, 2004. Courtesy of Zach Feuer Gallery, New York, and Giò Marconi Milan. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392933838260-TQL14IHPX66GAGJZYLZJ/3.jpg MutualArt Yael Bartana, Trembling Time, 2001. Courtesy of Annet Gelink Gallery, Amsterdam, and Sommer Contemporary Art, Tel Aviv. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392932937432-EWKHB8FSIGD6YWWFTBU1/e895cace-4d43-46b7-9d04-3f7a94215197_570.jpg MutualArt Katarzyna Kozyra, Cheerleader, 2006. Production photograph by Marcin Oliva Soto. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392933635093-M8R4LM75N3EXHUVBCJVI/1.jpg MutualArt Exhibition view of The Parade: Nathalie Djurberg with Music by Hans Berg, New Museum, New York, 2012. Courtesy of Zach Feuer Gallery, New York, and Giò Marconi Milan. Photo by Benoit Pailley. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392933483347-6CVIWDW7HE6KPMN40VNT/cao.jpg MutualArt Cao Fei, RMB City 4, 2007. Courtesy of the artist, Lombard Freid Gallery, New York, and Vitamin Creative Space, Guangzhou. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392933984742-0IPO5O80508EXD6PRMKP/4.jpg MutualArt Sharon Hayes, In the Near Future, 2009. Courtesy of the artist and Tanya Leighton Gallery, Berlin. https://images.squarespace-cdn.com/content/v1/52f682a9e4b0c80880eefc97/1392933780109-NO1AZW8DMBVTT49FQ6NB/8bd243a2-8760-4ff0-8482-3ffff9259445_570.jpg MutualArt Kate Gilmore, Standing Here, 2010. 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